Video Buddies Comedy
The crazed brainchild
of the over-fertilized mind of John Simmons Gross National Product first came to life as a group named
“Video Buddies” back in 1979. The name seemed appropriate for a generation
weaned on television, using video-oriented concepts and imagery. The group
put together a show of sketch-based ensemble comedy and began playing small
stages and rock clubs in the Washington area. If the ultimate goal is laughter,
the biggest sin is predictability and Video Buddies comedy was dedicated
to bringing a little levity to a city of full of deep issues and shallow
answers. The Washington Post commented on seeing Video Buddies that their
show “hit between the eyes, sometimes with a sledgehammer, but is charming
in its own fashion, imagery being delivered at a lightning pace.”
DC Space and Columbia
Station were frequently home to their shows in the early days as the group
developed a cult following. In those days the “Buddies” often opened for
rock acts like Root Boy Slim and the Original Fetish, who joined forces
at times with the Buddies in “The Warsaw Pack”, a band allegedly visiting
the U.S. from behind the Iron Curtain. The lead and rhythm accordion section
actually convinced the punk crowd that the Pack was for real. The Unicorn
Times commented about Washington’s “most original comedy ensemble. When
the lights came up for the second set the ‘Buddies’ were no where to be
found but instead a ‘new wave’ band decked out in a truly revolting combination
of Slavic fold and eighties punk regalia, the Pak delivered what can only
be described as ersatz rock from the Eastern Bloc.”
The Buddies’ darkest day
occurred when they foolishly agreed to open for the legendary punk band,
The Bad Brains, at the University of Maryland, only to be greeted by a
roomful of drunken frat boys hurling plastic cups full of beer. But the
Video Buddies comedy careers’ peaked a year later in their triumphant return
to the U of M as the opening act for the famous recording comedy artists,
Firesign Theater. The Diamondback, the University paper said, “Even
more theatrical than the Firesign Theater, the Buddies pulled off a number
of brilliant sketches.”
During the Buddies reign
of terror they presented hundreds of shows, some of which even had names:
“A Bonzo Christmas Carol”, “Bureaucrats Over Washington”, “2711: The Final
Food Chain”, “Alex in Washington” (a take on Alice in Wonderland), “Theater
of the No”, “Beyond Funny”, “Tourist Trap”, “1983 and Counting” and “Gross
National Product” about which Lloyd Grove of the Washington Post wrote,
“they always bring along some unexpected pleasure.”
A few old flyers and reviews
have been preserved for posterity in the Video Buddies Vault.
As the group began to
gain notice, the personnel of the troupe changed to professional actors
and the name was changed to Gross National Product to reflect our
increasingly political themes. And the rest, as they say, is history!